仕女图 | 唐女诗月去 不见夜君归|传统手绘水墨国画仕女画|100*50cm

仕女图 | 唐女诗月去 不见夜君归|传统手绘水墨国画仕女画|100*50cm

丰腴唐妆仕女含笑倚坐、双髻半袒，长披帛垂地、旁置小器皿，慵懒中含一缕等待的期盼，盛唐风韵与闺中情思兼具。

题诗「唐女诗月去，不见夜君归」——唐代女子对月吟诗、夜深而所等之人未归。画家以唐妆仕女与题诗写尽闺中等待的温柔与怅惘，呈现古典诗词意境之美，教人于缱绻间感受那份深情与守候。全作以极简白描线条写成，纯用墨线勾勒、不施一色，借大面积留白与行云流水般的长线写尽仕女婉约神韵；线条简练而气韵连绵，愈见画家数十年线描功力。每一幅皆为孤品手绘，不可复制，尤显珍贵。

作品尺寸：约100×50cm（4.5平尺） | 传统手绘水墨国画仕女画

Ladies | A Tang Lady Watches the Moon; Her Lord Returns Not Tonight | Traditional Hand-Painted Chinese Ink Figure (Shi-nü) Painting | 100x50cm

A full-figured Tang-style lady sits leaning with a faint smile, twin buns and lightly bared shoulders, a long shawl pooling to the floor beside a small vessel; languid yet laced with the hope of waiting, she unites High-Tang charm with boudoir longing.

The inscribed poem reads, "A Tang lady verses to the moon, yet her lord returns not by night." The Tang-adorned figure and poem render the tender melancholy of waiting in the women's quarters, evoking classical poetic beauty and the depth of devoted, patient love. Drawn entirely in the minimalist baimiao (plain-line) manner, the work uses pure ink contour without a single wash of color, letting generous blank space and flowing, unbroken lines express the gentle grace of the ladies. Sparse yet continuously alive, the lines reveal decades of line-drawing mastery. Each piece is an original hand-painted work, never reproduced.

Size: approx. 100x50cm (4.5 square chi) | Traditional Hand-Painted Chinese Ink Figure (Shi-nü) Painting

仕女図 | 唐女、月に詩し君の帰りを待つ | 伝統手描き水墨国画仕女画 | 100×50cm

ふっくらした唐風の仕女が微笑みながら寄りかかって座り、双髻で肌を淡く見せ長い披帛が地に垂れ傍らに小器を置く。だるさのなかに待つ期待を含み、盛唐の風情と闺の情を兼ね備える。

題詩「唐の女、月に詩し夜になっても君の帰るが見えぬ」——唐の女性が月に詩を詠み、夜更けても待つ人が帰らない。唐装の仕女と題詩で闺で待つ優しさと物憂さを描き、古典詩詞の意境の美を示し、深い情と見守る心を伝える。本作は極簡の白描（線描）で統一し、色を一切使わず墨線のみで描き、広い余白と行雲流水のごとき長線で仕女のしとやかな神韵を表す。簡潔ながら気韻が連なる線は、画家数十年の線描の功力を物語る。一点一点が手描きの一点物であり、複製不可能な貴重な作品である。

サイズ：約100×50cm（4.5平尺） | 伝統手描き水墨国画仕女画