Five Hundred Arhats No.424 · The Venerable Abandoning Evil Dharmas | Traditional Hand-Painted Chinese Ink Zen Buddhist Figure Painting | 100×50cm
Five Hundred Arhats No.424 · The Venerable Abandoning Evil Dharmas | Traditional Hand-Painted Chinese Ink Zen Buddhist Figure Painting | 100×50cm
Five Hundred Arhats · No.424 The Venerable Abandoning Evil Dharmas
'Abandoning evil dharmas' means renouncing every evil dharma, ending evil and cultivating good, resolutely leaving evil in body, speech and mind, turning from dust to awakening; the name marks one able to abandon evil, turning to the path and cultivating good. The venerable makes a renouncing gesture with a clear, resolute look, possessing the resolve of abandoning evil dharmas, ending evil and cultivating good, turning from dust to awakening, resolutely leaving evil for good.
Painted by Li Zongyi in the freehand Chinese ink (xieyi) tradition, the brushwork is fluent and the ink tones layered from dense to pale, capturing the arhat’s spirit in a few assured strokes. The blank paper itself breathes Zen; figure and spirit are one, blending monastic solemnity with the literati’s ease. Each of the Five Hundred Arhats bears its own name and practice, uniting faith, art and collectibility — an original, non-reproducible hand-painted work.
Size: approx. 100×50cm (4.5 square chi) | Traditional hand-painted Chinese ink Zen Buddhist figure painting | On paper
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